THE
BEST OF THE BEST SKETCH FEST 2003
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A
COMEDY FESTIVAL THAT'S PRETTY SKETCHY, INTENTIONALLY
Friday, July 25, 2003
Holly Johnson - Special To The Oregonian
It's a mouthful to say. "The
Best of the Best Sketch Fest," Portland's first national
sketch comedy festival, unfolds Friday and Saturday at
Artists Repertory Theatre with the energy and scope of a
madcap marathon. The event celebrates visiting comedy
groups from Chicago, Seattle, San Francisco and Los
Angeles, and it's also a chance to see what local companies
The 3rd Floor and Hoskins & Breen have been cooking up.
The very titles of participating ensembles pique the
imagination. There's Flaming Box of Stuff from Seattle
("creating unique worlds where only brief glimpses are
offered"); the four-man troupe Kasper Hauser from the Bay
Area; Chicago's Cupid Players, an original musical sketch
comedy revue; and Seattle's Bald Faced Lie (regularly
featured on National Public Radio's "Rewind").
The festival was inspired by a recent trip 3rd Floor
members took to Chicago for the second annual Chicago
Sketch Fest, the largest of its ilk with more than 55
participating troupes. 3rd Floor, a sort of revolving-door
company for local actors, whose members include
Kevin-Michael Moore, Tony St. Clair and Deirdre Atkinson,
earned enthusiastic local reviews (as did Hoskins &
Breen). The troupe also was praised by members of Second
City, the national king of comedy assemblages, which
regularly has been the launching pad for "Saturday Night
Live" performers.
"The idea for the festival came in part from us developing
all these friendships with these different groups," said
festival co-producer Ted Douglass, who performs with 3rd
Floor. "These were the best groups we were seeing again and
again" during participation in festivals countrywide. "So
we thought, 'Why not have a festival with groups we've
actually seen in person, and know are great?' "
What is sketch comedy? It's not stand-up, with one person
at the mike. And it's not improv, where people think on
their feet. It's comedy, Douglass says, that tells a story,
is scripted, rehearsed and often treated with all the
production values of a regular play. 3rd Floor, which has
been around for seven years, is "a playground for actors,"
Douglass says. "Originally there were 10 of us, most came
out of Portland State University, and we just kept it
going. One of the reasons we've lasted this long is we do
have a revolving door."